Abstract
The critic, musicologist, historian and composer Adolfo Salazar (Madrid,
1890-Mexico City, 1958) is one of the greatest exponents of musicology at
international level. From his arrival as a political exile in Mexico in
1939, he committed himself fully to the nation's cultural life,
bringing to fruition a fertile labor begun in Spain, and which yielded in
all several thousand articles and a little over thirty books. This article
relates his initial activity in Spain as a music critic and the first
battles fought in defense of modem music at the side of his friend and
teacher
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