


















The case of Mar.a Teresa de Landa was an event
arousing considerable attention in its time. In 1928
she was the first “Miss Mexico” and, for the greater
glory of her country, was competing for the World
beauty title in Galveston, Texas. Her beauty, intelligence
and tenacity had won her the Mexican title.
A year later, however, she was arrested for the crime
of murder, having shot her bigamous husband general
Mois.s Vidal. The story has important implications
for history, not only for the social implications of both
circumstances, but also as something that throws into
vivid relief the situation of post-revolutionary society,
the encounters between the military and civil sectors,
social and cultural dissonances. It is also illustrative
of the way in which the legal system operated, in
the sense that no woman accused of murdering her
husband was condemned to imprisonment during
the 1920s. “Avengers of female destiny” was a phrase
applied by Aurelio de los Reyes, suggesting a history
of mentalities, a social and cultural history, but also a
history of gender in the process of construction and
salvage in its most intimate details. This text addresses
only a part of the many facets of that world that revealed
itself as crude, hard and subtly aggressive.