Abstract
The only golden baroque altarpieces in Guadalajara are located at the
chapel dedicated to the Virgin of Aranzazu, and were originally sponsored
by a businessman of Basque origin. These three altarpieces highlight the
chapel's historical data and stylistic and iconographic themes, while
also establishing links with other places located in Mexico's
northwestern region through their formal similarities and the social and
economic relations of their sponsors. The latter were leading members of
the Basque community which played a fundamental role in regional
agricultural, mining and commercial development.
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