Abstract
This article studies three sixteenth-century mural paintings in the
monastery at Meztitlán, Hidalgo. The text as a whole deals with the
Augustinians use of the image and demonstrates the union between the
friars and the region, as well as the use of indigenous elements to help
put across the Catholic message. The first part focuses on the iconography
of a painting situated in the refectory of the monastery, while the second
examines the iconographic significance of two images from the stair-well of
the monastery and their relation to the emblematics of the period; known as
Triumph of Chastity and Triumph of Patience.
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