Abstract
Setting out from the diagnosis that present-day architecture laks deep
theoretical sources of legitimization, the article profiles the problems of
establishing a serious discourse on architectural production that might
transcend the limits of marketing in the star system of globalized
architects like Peter Eisenman and Rem Koolhaas. Against the increasing
erosion of the cultural significance of architecture, the article offers a
proposal to classify and review architectural forms under the idea of
“reflexive modernity”, a concept that does not refer in the first place to
stylistic categories but rather seeks a social and cultural
contextualization with the aim of stimulating a complex appreciation of
post-vanguardist architecture in its space and time.
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