La jura del Rey Carlos IV en la Nueva Granada

Abstract

Marta Fajardo analyzes both the coincidences and the differences that existed among diverse expressions of ephemeral art produced for the celebration of the ascension to the throne of Charles IV, in Santafé, Cartagena, Panamá and Cali. These manifestations included theatrical representations, bullfights, emblematic paintings, music, dances, and food. The variety is determined by place of origin, economic resources and preferences proper to each community. The author suggests that the understanding of current festivities and the elements that define each community in America could be encreased by studying the ancient ones.