Abstract
This article presents a chronological and systematic study of a design
known in the context of Maya imagery as the “X ray” mask. Most instances of
this mask can be found on Maya vases and monuments from the VIII Century
AD, although there is an intriguing precedent to them in the Olmec
paintings found in the Oxtotitlan cave, as well as a couple of examples in
the murals of Cacaxtla. In scenes painted on vases, this mask is associated
with transformation rituals or dances, but its use on official monuments
underlines specific action conditions or psychological tension related to
the revitalization of ancient Teotihuacan symbols in fire and war contexts.
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