Guillermo Keys Arenas: Modelo en el desarrollo de la danza de concierto del siglo XX en México. Los primeros años

Abstract

The article of Alberto Dallal consists on a historical analysis of he Mexican dance during the decades of the 40’s. This period of time is considered to be the epoch when the National Culture of the Mexican Revolution of 1910 was consolidated. The author proceeds his search recounting the biography of the dancer Guillermo Keys Arenas. The sources he uses to obtain information are diverse. He uses first handed documents and enriches his research with documents that contain valuable information about this dancing phenomenon.The author reveals the many.