El "derecho" en las investigaciones estéticas. Nuevas exigencias para la historia del arte

Abstract

This article centers on the legal and esthetic development of professor Moyssén as a pretext to reflect on the current demands posed by the in-depth reform of art history study plans with an interdisciplinary commitment. Various interdisciplinary models already exist in the field of political iconography, and involve a notion of art history transformed into the science of images. Other possible links with visual studies, for example those with the natural sciences or criminology, tend to develop future generations of art historians with more complete and complex profiles, who subsequently compete in a restricted labor market. The concepts proposed by brothers Alexander and Wilhelm von Humboldt in relation to the intellectual art of relating differing types of information and the struggle for an open, non-commercial academic sphere, have served as a source of inspiration and models.