Abstract
This study analyzes the iconographic content of the hieroglyphs used to
decorate the funeral pyre of Queen Bárbara de Braganza created in Mexico
City Cathedral in 1759 based on the Tristes ayes de el Águila Mexicana (Sad
Cries of the Mexican Eagle), conserved at the National Library of Mexico.
These hieroglyphs reveal an iconographic program that revolves around an
emblematic animal, the eagle, which was used as a metaphor for the tears of
the Mexican people and monarch and the Queen's virtues. To enable us
to better understand the significance of this animal in symbolic Hispanic
culture, this study analyzes its presence in publications dealing with
emblems and ephemeral art.
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