Abstract
In the mid of the seventeenth century, Jan van Ressel I painted The
Universal Power of Cupid, based on print of Otto Vaenius, dated half a
century earlier. The painting shares the Neopiatoníc ínspiration of the
print, however Van Kessel~ work is more sensual and opti mistic. It also
incorporates clearly new elements: for example, a preoceupation with exofic
landscape related to Flemish paíntíng. This article identifies and explains
the embk,matic and literary sources of the artists.
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