Abstract
Conservation measures implemented to conserve the Corbis photographic
archive —a Microsoft affiliate— are not to be confused with an act of
philanthropy. Rather than an effort to protect more than 65 million
photographs from natural corrosion, this project appears to be more of a
sales strategy designed to encourage the consumption of digitalized
products which only dubiously reproduce the documentary quality of the
originals, while restricting access to an enormous visual archive that, due
to its dimensions and content, is of outstanding historical value. Peter
Krieger analyzes the subtlety of this sinister act and questions the
enthusiasm of those who consider pure digitalization, detached from a
humanistic policy, to be the best way to conserve, promote and study the
visual documents of our civilization.
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